
Sculptor Hans van Meeuwen’s odd fragments and modifications impinge upon the confines of any space they occupy. Summoning adolescent relations and solutions combined with innate tension, he invites viewers to revert at a whim. Lynn Maliszewski speaks with him about his process and inspiration.
Josh has a bunch of degrees. He’s also written a nice stack of books. If you read a poem of his you might agree that there’s something wild-eyed and ghostly about it. His newest collection of verse is called Selenography, about two handfuls of sprawling poems accompanied by the Polaroid photography of Tim Rutili, frontman of the band Califone, and Josh’s friend. Part 1 of a 2 part conversation.
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As my fortune cookie says, while things get slower, they get bigger as well. As the leaves turn and the playoff race heats up, heavy-hitters Jim Jarmusch, Michael Rother, Mike Figgis, Jonathan Franzen and Lydia Davis step up to the plate. But these Boys of Summer better watch out below: BOMB All Stars Sarah Ruhl, Kalup Linzy and Jafar Pahani are creeping up the standings. Unmix these metaphors (and more!) in this week’s BOMB Alert…
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The stories of Tiphanie Yanique’s debut collection How To Escape From A Leper Colony hold no fear. Centered on life in the US Virgin Islands, they seem ready for the generic lexicon of lazy reviewers. BOMBlog’s intrepid Jack Palmer spoke with Yanique about the fallacy of that vocabulary and the lessons available in literature.
The end of summer means a sleepy art world, but a very much awake and thrashing music world. Heck, even with the free outdoor shows winding down there’s still plenty of musical summer fun to be had: the new Sufjan Stevens EP dropped, DJ / Rupture is playing at the Whitney, and Antony just released a new video. Read on for more end-of-summer fun with BOMB alums.
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Jennifer Vanderbes is the kind of writer who makes the project of writing a novel seem like the noblest pursuit in the universe. The worlds she creates, both in 2003’s Easter Island and this month’s Strangers at the Feast, feel fully contemplated, completely explored, as though she would know anything you dared to ask about them, no matter how trivial. BOMBlog’s Emily Testa speaks to her about authenticity and adultery—specifically, how fiction needs more of one and a whole lot less of the other.





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